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Dec 12, 2014 - Bruno Dumont proves as eccentric and engaging a director of comedy as he is of enigmatic art house drama with LI'L QUINQUIN, a four-part.

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Isabelle Adjani is stunning as the title character in this rich and passionate film. I am amazed anytime an actor or actresses changes physically in the part of a film (and without tons of make-up and special effects, either!)and Adjani does this remarkably well!

We as an audience are just as stunned as Eugene Blot when he finds Camille drunk and spiraling into the depths of madness. Her appearance is nothing less than shocking. The film as a whole is engaging with a whirlwind of emotions--rage, sadness, torment, bliss; by the time the nearly 3 hours are up, I am exhausted. Crestron software downloads software. Adjani and Depardieu are part of that emotional energy as they passionately go at it--sex, sculpture and anger; especially when it comes to the latter. It is almost worth it to stop reading the subtitles and listen to them rage and lash out at one another.

Adjani is powerful in so much of this film.I am amazed she didn't receive that best actress Oscar she was up for. Her torment and pain is riveting--especially in French. I am glad they did not decide to dub this film into English; hearing Adjani sob and ask 'Pourquoi? Would be empty with her mouthing the words 'Why? The film as a whole is a bit long, but overall is stunning. The sad epilogue is even sadder if you know that Claudel's remains were interred in a mass grave after her brother Paul failed to claim them from her original grave [the asylums only interred bodies in individual plots for a certain amount of time; space was at a premium.] So, the brilliant Camille Claudel's remains ended up in an unmarked grave mixed in with others who went unclaimed, as well.

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